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Urban context for rural music and dance patterns


Ćaleta, Joško; Zebec, Tvrtko
Urban context for rural music and dance patterns // 29th Symposium ICTM Study Group on Ethnochoreology, Institute of Ethnomusicology, University of Music and Performing Arts Graz (Kunstuniversität), At Retzhof Castle, Styria, Austria, July 9-16, 2016. Progam and Abstracts
Graz: ICTM Study Group on Ethnochoreology, Institute of Ethnomusicology, University of Music and Performing Arts Graz (Kunstuniversität), 2016. str. s. p.-s. p. (predavanje, međunarodna recenzija, sažetak, znanstveni)


Naslov
Urban context for rural music and dance patterns

Autori
Ćaleta, Joško ; Zebec, Tvrtko

Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, sažetak, znanstveni

Izvornik
29th Symposium ICTM Study Group on Ethnochoreology, Institute of Ethnomusicology, University of Music and Performing Arts Graz (Kunstuniversität), At Retzhof Castle, Styria, Austria, July 9-16, 2016. Progam and Abstracts / - Graz : ICTM Study Group on Ethnochoreology, Institute of Ethnomusicology, University of Music and Performing Arts Graz (Kunstuniversität), 2016, S. p.-s. p.

Skup
29th Symposium ICTM Study Group on Ethnochoreology, Institute of Ethnomusicology, University of Music and Performing Arts Graz (Kunstuniversität), At Retzhof Castle, Styria, Austria, July 9-16, 2016

Mjesto i datum
Retzhof Castle, Štajerska, Austrija, 9-16.07.2016

Vrsta sudjelovanja
Predavanje

Vrsta recenzije
Međunarodna recenzija

Ključne riječi
Urban; rural; dance; music

Sažetak
From the time after the Second World War folk dance ensembles in the cities, mostly in Eastern and South Eastern Europe, were established and became a new way of public presentation of national traditions. The inspiration came from rural culture - peasant songs, dances and costumes. In federal political state such as former Yugoslavia, stylised songs and dances performed by city folk dance ensembles were the political tool for showing brotherhood and unity of different nations and nationalities. The presentations were under the influence of stylised performances by the Moiseyev Ballet thanks to international festival stages. Croatian folk dance stage was divided between city ensembles performing stylised choreographies of "Yugoslav program" and peasant groups performing their native traditions. Urban folk dance stage and its program have been politically changed after the break of Yugoslavia but the style of presentation has not been changed and is far from the peasant culture patterns. Members of urban ensembles are young students that became new social stratum of recreational folk dancers developing their own styles of performances together with authors, choreographers. International public on folk dance festivals, and recreational or senior dance groups participate in performances of music and dances from different cultures. Is it possible to talk about building a new music/dance genre and style of local dances or performing without the style?

Izvorni jezik
Engleski

Znanstvena područja
Etnologija i antropologija



POVEZANOST RADA


Ustanove
Institut za etnologiju i folkloristiku, Zagreb