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Pregled bibliografske jedinice broj: 846452

Filozofska paradigmatičnost kao književni simbol u stvaralaštvu Cristine Campo


Bandalo, Višnja
Filozofska paradigmatičnost kao književni simbol u stvaralaštvu Cristine Campo // Riječki filološki dani. Zbornik radova s Jedanaestoga znanstvenog skupa s međunarodnim sudjelovanjem
Rijeka: Filozofski fakultet, 2018. (predavanje, međunarodna recenzija, cjeloviti rad (in extenso), znanstveni)


Naslov
Filozofska paradigmatičnost kao književni simbol u stvaralaštvu Cristine Campo
(Philosophical Paradigmatism as a Literary Symbol in Cristina Campo’s Oeuvre)

Autori
Bandalo, Višnja

Vrsta, podvrsta i kategorija rada
Radovi u zbornicima skupova, cjeloviti rad (in extenso), znanstveni

Izvornik
Riječki filološki dani. Zbornik radova s Jedanaestoga znanstvenog skupa s međunarodnim sudjelovanjem / - Rijeka : Filozofski fakultet, 2018

Skup
Riječki filološki dani 11

Mjesto i datum
Rijeka, Hrvatska, 24.-26. 11. 2016

Vrsta sudjelovanja
Predavanje

Vrsta recenzije
Međunarodna recenzija

Ključne riječi
Filozofske paradigme ; Cristina Campo ; Andrea Emo ; književna simbologija ; mitologija ; Simone Weil ; Hugo von Hofmannsthal ; poetizirajuća misao
(Philosophical paradigms ; Cristina Campo ; Andrea Emo ; literary symbolism ; mythology ; Simone Weil ; Hugo von Hofmannsthal ; poetic reflectiveness)

Sažetak
This paper is intended to explore the modes constituting internal philosophicity as a constant structural trait of Cristina Campo’s production, occasionally turned into an immediate ontological or gnoseological instance. The analysis also focuses on intertextual aspect in regard to similarities between Andrea Emo’s speculative thought and Campo’s understandings which may have influenced it. Those affinities are underscored in the case of the thinker’s "Notebooks of Metaphysics", as well as in their common epistolary collection, by taking into account conceptual topoi (motifs of memory, myth, fairy tale and artistic representation). Moreover, it is aimed to determine the presence of traditional paradigms such as Nietzsche’s, somewhere evoked in conjunction with Simone Weil’s views, while comparative counterpoint can be found in compositional features of Hugo von Hofmannsthal’s work. Likewise, as theorized by María Zambrano, Campo promotes vision of poetry and philosophy as unitarily intervowen, resulting in poetic reflectiveness. Her poetising implies therefore philosophical polyvalence. The paper includes significant excerpts from Campo’s writings translated into Croatian.

Izvorni jezik
Hrvatski

Znanstvena područja
Filologija, Etnologija i antropologija



POVEZANOST RADA


Ustanove
Filozofski fakultet, Zagreb

Autor s matičnim brojem:
Višnja Bandalo, (263210)