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Making Margins (in)Visible? Clothes, History, and Unconventional Women in Gillian Armstrong’s film adaptation of Peter Carey’s Oscar and Lucinda


Primorac, Antonija
Making Margins (in)Visible? Clothes, History, and Unconventional Women in Gillian Armstrong’s film adaptation of Peter Carey’s Oscar and Lucinda // Prvi međunarodni simpozij mladih anglista, kroatista i talijanista: Juriš na posljednje margine
Split, Hrvatska, 2016. (plenarno, nije recenziran, neobjavljeni rad, znanstveni)


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Naslov
Making Margins (in)Visible? Clothes, History, and Unconventional Women in Gillian Armstrong’s film adaptation of Peter Carey’s Oscar and Lucinda

Autori
Primorac, Antonija

Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, neobjavljeni rad, znanstveni

Skup
Prvi međunarodni simpozij mladih anglista, kroatista i talijanista: Juriš na posljednje margine

Mjesto i datum
Split, Hrvatska, 07.-09.10.2016

Vrsta sudjelovanja
Plenarno

Vrsta recenzije
Nije recenziran

Ključne riječi
adaptation; bloomer costume; feminist history; margins/marginal; postcolonial; postfeminist

Sažetak
Peter Carey’s Oscar and Lucinda (1988) tells, among other things, the tale of an unconventional mother and her daughter who shared a passion for factories – and who wore bloomers, garments favoured by Victorian proponents of women’s rights and dress reform. Gillian Armstrong’s 1997 film adaptation, however, chooses to foreground the romance and downplay the novel’s neo-Victorian depiction of feminism, diminishing the role of the unconventional mother in the process. This paper analyses the effects of this change by focusing on the role that clothes play in the portrayal of Victorian gender roles and social rules in the novel and its adaptation.

Izvorni jezik
Engleski

Znanstvena područja
Filologija



POVEZANOST RADA


Ustanove:
Filozofski fakultet u Splitu

Profili:

Avatar Url Antonija Primorac (autor)


Citiraj ovu publikaciju

Primorac, Antonija
Making Margins (in)Visible? Clothes, History, and Unconventional Women in Gillian Armstrong’s film adaptation of Peter Carey’s Oscar and Lucinda // Prvi međunarodni simpozij mladih anglista, kroatista i talijanista: Juriš na posljednje margine
Split, Hrvatska, 2016. (plenarno, nije recenziran, neobjavljeni rad, znanstveni)
Primorac, A. (2016) Making Margins (in)Visible? Clothes, History, and Unconventional Women in Gillian Armstrong’s film adaptation of Peter Carey’s Oscar and Lucinda. U: Prvi međunarodni simpozij mladih anglista, kroatista i talijanista: Juriš na posljednje margine.
@article{article, author = {Primorac, A.}, year = {2016}, keywords = {adaptation, bloomer costume, feminist history, margins/marginal, postcolonial, postfeminist}, title = {Making Margins (in)Visible? Clothes, History, and Unconventional Women in Gillian Armstrong’s film adaptation of Peter Carey’s Oscar and Lucinda}, keyword = {adaptation, bloomer costume, feminist history, margins/marginal, postcolonial, postfeminist}, publisherplace = {Split, Hrvatska} }
@article{article, author = {Primorac, A.}, year = {2016}, keywords = {adaptation, bloomer costume, feminist history, margins/marginal, postcolonial, postfeminist}, title = {Making Margins (in)Visible? Clothes, History, and Unconventional Women in Gillian Armstrong’s film adaptation of Peter Carey’s Oscar and Lucinda}, keyword = {adaptation, bloomer costume, feminist history, margins/marginal, postcolonial, postfeminist}, publisherplace = {Split, Hrvatska} }




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