engleski

Theory of Contemporary Art: Lines and Curves (Boris Groys, Dieter Mersch, W.J.T.Mtchell)

Art in all historical epochs has the task of being more than art. It can never be either autonomous or heteronomous. It can never serve just itself or some other purposes. Nor can it be reduced just to the aesthetic truth, experience, incidence. Social revolutions and historical events that change the manner of life of people hence are not superordinate for an insight the being of artistic practice. Contemporary theoretical attempts to open the new horizons in aestehtics and visual arts (Groys-Mersch-Mitchell) shows that paths beyond the traditional metaphysical solutions are mainly interconnected with the question of methods and epistemological innovations.

theory, contemporary art, aesthetics, paradigms

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