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Different Adaptations: The Power of the Vampire

Vrbančić, Mario; Božić-Vrbančić, Senka
Different Adaptations: The Power of the Vampire // [sic] časopis za književnost, kulturu i književno prevođenje, 2 (2011), 1; 4, 7 doi:10.15291/SIC/2.1.LC.4 (podatak o recenziji nije dostupan, članak, znanstveni)

Different Adaptations: The Power of the Vampire

Vrbančić, Mario ; Božić-Vrbančić, Senka

[sic] časopis za književnost, kulturu i književno prevođenje (1847-7755) 2 (2011), 1; 4, 7

Vrsta, podvrsta i kategorija rada
Radovi u časopisima, članak, znanstveni

Ključne riječi
Telling and re-telling ; film and ideology

Since film first established itself as pre-eminently a narrative medium there has been a long-running questioning on the nature of the connections between film and literature. Some novels have been constantly adapted, and, like Bram Stoker’s Dracula (written in 1897), have created a whole genre. This essay will try to analyse some aspects of the adaptation of Stoker’s novel Dracula in the first preserved film version of Friedrich Wilhelm Murnaus’ Nosferatu (1922), and, one of the latest adaptations, Bram Stoker’s Dracula by Francis Ford Coppola (1992). Some differences are noticeable between the ‘original’ narrative and how its complexity produces new readings, turning Dracula into a commodity appearing on the silver screen. The essay attempts to outline the hermeneutical circle of film adaptations in which all components play an influential role in the process of adaptation as well as in a final product ; further it indicates how historical and ideological shifts influence the adaptations and the differences between them.

Izvorni jezik

Znanstvena područja
Filologija, Etnologija i antropologija


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