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Povijesni identitet umjetnika Schiavona u kritičkoj fortuni prve polovine XX. stoljeća (CROSBI ID 190067)

Prilog u časopisu | izvorni znanstveni rad

Prijatelj Pavičić, Ivana Povijesni identitet umjetnika Schiavona u kritičkoj fortuni prve polovine XX. stoljeća // Časopis za suvremenu povijest, 44 (2012), 1; 77-92

Podaci o odgovornosti

Prijatelj Pavičić, Ivana

hrvatski

Povijesni identitet umjetnika Schiavona u kritičkoj fortuni prve polovine XX. stoljeća

This work aims to explore interpretations of the historical, symbolic, regional and national artistic identities in the reception of the most well-known artist-emigrants originating from the eastern Adriatic shore who in Croatian national community to which they belonged - that is the Schiavoni/Dalmati artists, and especially the echoes of national ideologies and political activity in Fortuna critica in the period from the beginning of the 20th century until 1945. The Fortuna critica of the artists refferd to as Schiavoni/Dalmati during the first half of the 20th century is examined through the metodology of aestetic reception and contemporary art historical criticism. The author shows to what extent the reception of the Schiavoni/Dalmati artists was influenced by various political ideas, national ideologies, and cultural nationalism. In particural, she discusses how this relates to the ideologies of Italian irredentists as well as Yugoslavian and Italian cultural politics in the interwar era.

Schiavoni; Londonski ugovor; Rapalski ugovor; Adolfo Venturi; Alessandro Dudan; Artur Schneider; Giuseppe Praga; Ljubo Karaman; Ivo Tartalja; iredenetizam; jadranski mentalitet

nije evidentirano

engleski

The historical identity of the "Schiavoni" artists in fortuna critica during the first half of the 20th century

nije evidentirano

artists referred to as Schiavoni; the Treaty of London; the Treaty of Rapallo; Adolfo Venturi; Alessandro Dudan; Artur Schneider; Giuseppe Praga; Ljubo Karaman; Ivo Tartaglia; irredentism; Adriatic mentality

nije evidentirano

Podaci o izdanju

44 (1)

2012.

77-92

objavljeno

0590-9597

Povezanost rada

Povijest umjetnosti