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The Naked Truth: The Ethics and Aesthetic of Aftering Irene Adler in recent Sherlock Holmes Adaptations


Primorac, Antonija
The Naked Truth: The Ethics and Aesthetic of Aftering Irene Adler in recent Sherlock Holmes Adaptations // Neo-Victorian Networks: Epistemologies, Aesthetics, and Ethics.
Amsterdam, Nizozemska, 2012. (predavanje, međunarodna recenzija, sažetak, znanstveni)


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Naslov
The Naked Truth: The Ethics and Aesthetic of Aftering Irene Adler in recent Sherlock Holmes Adaptations

Autori
Primorac, Antonija

Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, sažetak, znanstveni

Skup
Neo-Victorian Networks: Epistemologies, Aesthetics, and Ethics.

Mjesto i datum
Amsterdam, Nizozemska, 13-15.06.2012

Vrsta sudjelovanja
Predavanje

Vrsta recenzije
Međunarodna recenzija

Ključne riječi
aftering; adaptation; agency; body; gender; Victorian; neo-Victorian; postfeminist

Sažetak
The paper addresses the transformations of Irene Adler, the female protagonist of A.C. Doyle's first Sherlock Holmes short story "A Scandal in Bohemia" (1891) in its recent fictional and filmic afterings. The focus is on the most recent rendition of Irene Adler in BBC’s TV series Sherlock from 2012 (series 2 episode 1), with reference to the use of the character by the same name in the two Guy Ritchie films, Sherlock Holmes (2009) and Sherlock Holmes: A Game of Shadows (2011), with some reference to the arguably neo- Victorian mystery romp Goodnight, Mr Holmes by Carole Nelson Douglas (1990). The paper analyses the perceivable deterioration of Adler's agency combined with her overt sexualization in the filmic adaptations. Such afterings of this only female and one of the few characters that outwitted the legendarily astute detective are analysed in the light of perceivable (and seemingly unwavering) postfeminist trends in mainstream and big budget TV and film adaptations of 19th century classics.

Izvorni jezik
Engleski

Znanstvena područja
Filologija



POVEZANOST RADA


Ustanove:
Filozofski fakultet u Splitu

Profili:

Avatar Url Antonija Primorac (autor)


Citiraj ovu publikaciju:

Primorac, Antonija
The Naked Truth: The Ethics and Aesthetic of Aftering Irene Adler in recent Sherlock Holmes Adaptations // Neo-Victorian Networks: Epistemologies, Aesthetics, and Ethics.
Amsterdam, Nizozemska, 2012. (predavanje, međunarodna recenzija, sažetak, znanstveni)
Primorac, A. (2012) The Naked Truth: The Ethics and Aesthetic of Aftering Irene Adler in recent Sherlock Holmes Adaptations. U: Neo-Victorian Networks: Epistemologies, Aesthetics, and Ethics..
@article{article, author = {Primorac, A.}, year = {2012}, keywords = {aftering, adaptation, agency, body, gender, Victorian, neo-Victorian, postfeminist}, title = {The Naked Truth: The Ethics and Aesthetic of Aftering Irene Adler in recent Sherlock Holmes Adaptations}, keyword = {aftering, adaptation, agency, body, gender, Victorian, neo-Victorian, postfeminist}, publisherplace = {Amsterdam, Nizozemska} }
@article{article, author = {Primorac, A.}, year = {2012}, keywords = {aftering, adaptation, agency, body, gender, Victorian, neo-Victorian, postfeminist}, title = {The Naked Truth: The Ethics and Aesthetic of Aftering Irene Adler in recent Sherlock Holmes Adaptations}, keyword = {aftering, adaptation, agency, body, gender, Victorian, neo-Victorian, postfeminist}, publisherplace = {Amsterdam, Nizozemska} }




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