hrvatski

Neki aspekti glagoljaškog pjevanja kao dijela fenomena glagoljaštva

The Glagolitic music tradition is an element of the General Croatian Glagolitic tradition. Its uniqueness belongs exclusively to the religious context. The Glagolitic chant diverges from the parallel phenomena in other Slavic nations by virtue of the text in the Church-Slavonic language of the Croatian variant, written in the Glagolitic script. The Croatian vernacular was also used from the Middle Ages onwards. It is well known that primary sources for the chant are lacking, particularly for the earliest periods and the time of its full development. Although its repertoire is presently very much limited, the Glagolitic chant is still a vital tradition. Its historical dimension can be investigated on the basis of sound recordings and transcriptions (those dating from prior to the last decade of the 19th century being extremely rare), and through literary, iconographic, and archival sources. Sound recordings of the chant demonstrate different music variants native to the immediate location in which the recording was made, adopted from the traditional music of the particular region where the Glagolitic tradition was preserved or recorded. These influences worked syncronously with the influences of the Gregorian Choral, as well as the Byzantine and Aquileian church singing, or their remnants.

glagoljaška tradicija, pjevanje, koral, transkripcije, ikonografija

nije evidentirano