engleski

A Decade of Freedom, Hope and Lost Illusions. Yugoslav Society in the 1960s as a Framework for New Tendencies

Considering invisibility of New Tendencies in dominantn narratives on European modefrn art, ongoing process of conssolidation of new media art could be a platform from which to introduce that international art movement into the context of new media art history. It is also an opportunity to explain the reasons which made Zagreb and former Yugoslavia a unique location and appropriate ideological and intellectual framework of ew Tendencies. Such and explanation is the topic discussed in this article.

New Tendencies ; neo-avantgarde ; neo-constructivism ; Zagreb ; Yugoslavia ; self-managing socialism

nije evidentirano