hrvatski

Propala predstava /O osporavanju drame/

The late Russian avantgarde writer Daniil Harms reevaluates (aesthetically, ethically, morally and socially) the entire system od realistic poetics. The literatures cannonise by mimesis are challenger by Marms' amimesis (metatextuality, citation, associativeness, reductionism, desematisation, defabularisation, depersonalisation, fragmentation, alogicism, the absurd, infantilism, ludism, seraility, coincidence, dislocation, confilict of verbal sense...) Creating a new fictioon the author mounts a genric-stylistic dehierarchisation and decanonisation of "outmoded" literature. Alongside prose works (primarily the novel as the dominant genre of realism) and poetry, Harms's dramatic texts challenge the existing laws of its composition by departures from the essential characteristics of the genre, most significantly through the parody of existing genres with characteristic elements of the grotesque and black humour. HArms' unconventional dramatic forms, created in most part by parodically laying bare traditional dramatic patterns, by challenging and destroying (raquently to degree zero!) them, signify, within the contexto of "realistic art", a desire for a new, amimetic drama, that is for a new, "pure", amimetic theatre.

prevrednovanje (estetsko; etičko; moralno; socijalno); amimetizam

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