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Dangerous Liaisons: The Relation between Art and Socialist State - Croatian Experience of the 1950s (CROSBI ID 41353)

Prilog u knjizi | izvorni znanstveni rad

Kolešnik, Ljiljana Dangerous Liaisons: The Relation between Art and Socialist State - Croatian Experience of the 1950s // Local Strategies. International Ambitions. Modern Art and Central Europe 1918-1968 / Lahoda, Vojtech (ur.). Prag: Artefactum, 2006. str. 213-223

Podaci o odgovornosti

Kolešnik, Ljiljana

engleski

Dangerous Liaisons: The Relation between Art and Socialist State - Croatian Experience of the 1950s

At the very beginning of the 50es, after Yugoslav political break with the eastern Block, Party authorities “proclaimed” autonomy of arts and in accord with dominant, west European concept of modernism. Simultaneous public appearance of different aesthetic and stylistic orientations (from geometric abstraction to echoes of pre-war Paris school experiences), at the Croatian art scene posed number of questions Concerning social function of visual art, in particularly the question of the relation between modern art and (socialist) State, which was tested, defined and "sealed" already in mid 1950s.

social realism, socia aestheticism, abstraction, State, art, ideology

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Podaci o prilogu

213-223.

objavljeno

Podaci o knjizi

Local Strategies. International Ambitions. Modern Art and Central Europe 1918-1968

Lahoda, Vojtech

Prag: Artefactum

2006.

80-86890-08-2

Povezanost rada

Povijest umjetnosti