The origin(s) of Natya: Natya versus ritual (CROSBI ID 503517)
Prilog sa skupa u zborniku | izvorni znanstveni rad | međunarodna recenzija
Podaci o odgovornosti
Gonc-Moačanin, Klara
engleski
The origin(s) of Natya: Natya versus ritual
Many theories about the origin of natya (Mueller, Hillebrandt, Kuiper, Lidova, Levi, Renou) present only partial pictures of it. Classical Indian theatre can have a partially ritual origin, but is no ritual. Ritual has religious goals, and theatre has aesthetic goals. The Natyasastra, the classical handbook of Indian drama, gives, esp. in chapters 1 and 4, stories of the origin of drama and of the first performances that can reveal us more about that origin than it was so far supposed. They confirm the view that the natya - even for the gods in those stories - was no ritual, but a means for amusement both to be seen and to be heard. The stories can be mythological, but they are enacted by dialogues, singing, dancing and combining many aspects of performance to enhance the aesthetical experience of the drama. An interdisciplinary research might in future give a fuller picture of natya's origins.
natya; drama; ritual; theatre; pre-theatre; religious and aesthetic goals; Natyasastra; Bharata; Brahma; Indra; Siva; first performances; interdisciplinary research
nije evidentirano
nije evidentirano
nije evidentirano
nije evidentirano
nije evidentirano
nije evidentirano
Podaci o prilogu
239-250-x.
2003.
objavljeno
Podaci o matičnoj publikaciji
Cracow Indological Studies, vol. 4/5. 2nd International Conference on Indian Studies
Czekalska, Renata - Marlewicz, Halina
Krakov: Institute of Oriental Philology, Jagiellonian University - Ksiegarnia akademicka
Podaci o skupu
Nepoznat skup
predavanje
29.02.1904-29.02.2096