Pregled bibliografske jedinice broj: 179076
Slikarstvo i kiparstvo 19. i 20. stoljeća u Slavoniji - pregled i smjernice istraživanja
Slikarstvo i kiparstvo 19. i 20. stoljeća u Slavoniji - pregled i smjernice istraživanja // Zbornik 1. kongresa hrvatskih povjesničara umjetnosti / Milan Pelc (ur.).
Zagreb: Institut za povijest umjetnosti, 2004. str. 235-240 (pozvano predavanje, domaća recenzija, cjeloviti rad (in extenso), znanstveni)
CROSBI ID: 179076 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
Slikarstvo i kiparstvo 19. i 20. stoljeća u Slavoniji - pregled i smjernice istraživanja
(Painting and Sculpture of the 19th and 20th Century in Slavonia - Review and Directions for Further Research)
Autori
Ambruš, Jelica
Vrsta, podvrsta i kategorija rada
Radovi u zbornicima skupova, cjeloviti rad (in extenso), znanstveni
Izvornik
Zbornik 1. kongresa hrvatskih povjesničara umjetnosti
/ Milan Pelc - Zagreb : Institut za povijest umjetnosti, 2004, 235-240
Skup
1. kongres hrvatskih povjesničara umjetnosti
Mjesto i datum
Zagreb, Hrvatska, 15-17.11.2001
Vrsta sudjelovanja
Pozvano predavanje
Vrsta recenzije
Domaća recenzija
Ključne riječi
Slikarstvo; kiparstvo; 19. i 20 st.; Slavonija; istraživanja
(Painting; sculpture; 19th and 20th cetury; Slavonija; research)
Sažetak
Painting and sculpture of the 19th and 0th century in Slavonia has been a significant and integral part of Croatian as well as middle-European heratige production. During the 19th century and the main promotor, investitor and collector of art was the Slavnoan aristocracy, whose private collections consisted orderd primarly from European artists. Art was also purchesd and stmulated by some of the member of church clergy, like J.J. Storrmayer , and only from the beginning of the 20th century this role would gradualy pass on the civile burgeouise. In 1800 first public drawing school was founded in Osijek that by no meamns made a positive impact on the cultural and artistic life: many artists who got their first lessons there contued their education on the European universities. Up till today the painting and sculpture of 19th and 20th century has been studed by many art historians , curators, an experts from other relevant discilines. With the foundation of museums, the 20th century the research become professionalized and more intense. A better coordination among the local and national institutions, a critical analysisi of the existing scientific insights and an investment in further professional education af the experts in the future, would probably bring even better results.
Izvorni jezik
Hrvatski
Znanstvena područja
Znanost o umjetnosti
