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Pregled bibliografske jedinice broj: 174990

Croatians of Zadar, Performers of Italian Canzoni Zaratine, Triestine and West-Istrian Urban Songs: The Issue of Multiple Identities


Bezić, Jerko
Croatians of Zadar, Performers of Italian Canzoni Zaratine, Triestine and West-Istrian Urban Songs: The Issue of Multiple Identities // Third Meeting of the Study Group "Music and Minorities" of the International Council for Traditional Music, Roč (Croatia), August 27th - September 3rd, 2004.: Programme and Abstracts of Papers / Ceribašić, Naila (ur.).
Zagreb: Institute of Ethnology and Folklore Research, 2004. (predavanje, međunarodna recenzija, sažetak, znanstveni)


CROSBI ID: 174990 Za ispravke kontaktirajte CROSBI podršku putem web obrasca

Naslov
Croatians of Zadar, Performers of Italian Canzoni Zaratine, Triestine and West-Istrian Urban Songs: The Issue of Multiple Identities

Autori
Bezić, Jerko

Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, sažetak, znanstveni

Izvornik
Third Meeting of the Study Group "Music and Minorities" of the International Council for Traditional Music, Roč (Croatia), August 27th - September 3rd, 2004.: Programme and Abstracts of Papers / Ceribašić, Naila - Zagreb : Institute of Ethnology and Folklore Research, 2004

Skup
3rd Meeting of the Study Group "Music and Minorities" of the International Council for Traditional Music

Mjesto i datum
Roč, Hrvatska, 27. 08. - 3. 09. 2004

Vrsta sudjelovanja
Predavanje

Vrsta recenzije
Međunarodna recenzija

Ključne riječi
talijanske pjesme; Hrvati; Zadar
(Italian songs; Croats; Zadar)

Sažetak
In the centre of the author's attention is the music material in Italian language as practiced by Croatians from Zadar. The first extensive source consists of noted down tunes and lyrics of Italian songs, collected from 1870 to 1904 by Gregorio Zarbarini, secondary school teacher, researcher and melographer of Italian and, to a certain extent, of Slavic (from Croatia and Boka Kotorska) repertory. The author looks at that material in relation with his own experience acquired through learning and practicing Italian repertory in Zadar (first of all canzoni zaratine, triestine and west-Istrian urban songs), in the years 1946 to 1948, the period before and after the peace treaty between Yugoslavia and Italy on 10th February 1947. The third section of this paper consists of a few tape recordings that the author made in Zadar in 1964. Again, these songs are in Italian language, but are performed by Croatian singers. And finally, the fourth important source is the very extensive sound collection of klapa songs, gathered by Blaž Perinović Bibi from 1960s to 1990s. Alongside Croatian, it also comprises songs in the Italian language that one klapa from Zadar (whose member was Perinović himself) sang principally to Zaratini. Zaratini are Italians originating from Zadar who from the 1970s commenced visiting Zadar for their summer vacations. Based on all of the above mentioned sources, the author attempts to delineate changes in Italian-Croatian musical relationships in the context of specific cultural, social and political circumstances, and to tackle the question of multiple identities and creative forms of identity management.

Izvorni jezik
Engleski

Znanstvena područja
Znanost o umjetnosti, Etnologija i antropologija



POVEZANOST RADA


Projekti:
0189003
0101501

Ustanove:
Hrvatska akademija znanosti i umjetnosti,
Institut za etnologiju i folkloristiku, Zagreb

Profili:

Avatar Url Jerko Bezić (autor)

Citiraj ovu publikaciju

Bezić, Jerko
Croatians of Zadar, Performers of Italian Canzoni Zaratine, Triestine and West-Istrian Urban Songs: The Issue of Multiple Identities // Third Meeting of the Study Group "Music and Minorities" of the International Council for Traditional Music, Roč (Croatia), August 27th - September 3rd, 2004.: Programme and Abstracts of Papers / Ceribašić, Naila (ur.).
Zagreb: Institute of Ethnology and Folklore Research, 2004. (predavanje, međunarodna recenzija, sažetak, znanstveni)
Bezić, J. (2004) Croatians of Zadar, Performers of Italian Canzoni Zaratine, Triestine and West-Istrian Urban Songs: The Issue of Multiple Identities. U: Ceribašić, N. (ur.)Third Meeting of the Study Group "Music and Minorities" of the International Council for Traditional Music, Roč (Croatia), August 27th - September 3rd, 2004.: Programme and Abstracts of Papers.
@article{article, author = {Bezi\'{c}, J.}, editor = {Ceriba\v{s}i\'{c}, N.}, year = {2004}, pages = {16}, keywords = {talijanske pjesme, Hrvati, Zadar}, title = {Croatians of Zadar, Performers of Italian Canzoni Zaratine, Triestine and West-Istrian Urban Songs: The Issue of Multiple Identities}, keyword = {talijanske pjesme, Hrvati, Zadar}, publisher = {Institute of Ethnology and Folklore Research}, publisherplace = {Ro\v{c}, Hrvatska} }
@article{article, author = {Bezi\'{c}, J.}, editor = {Ceriba\v{s}i\'{c}, N.}, year = {2004}, pages = {16}, keywords = {Italian songs, Croats, Zadar}, title = {Croatians of Zadar, Performers of Italian Canzoni Zaratine, Triestine and West-Istrian Urban Songs: The Issue of Multiple Identities}, keyword = {Italian songs, Croats, Zadar}, publisher = {Institute of Ethnology and Folklore Research}, publisherplace = {Ro\v{c}, Hrvatska} }




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