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Treatment of fantasy and realist sections in Alasdair Gray's "Lanark" and Salmon Rushdie's "Midnight's Children" (CROSBI ID 102089)

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Polak, Iva Treatment of fantasy and realist sections in Alasdair Gray's "Lanark" and Salmon Rushdie's "Midnight's Children" // Studia Romanica et Anglica Zagrabiensia, 47-48 (2002), 401-412

Podaci o odgovornosti

Polak, Iva

engleski

Treatment of fantasy and realist sections in Alasdair Gray's "Lanark" and Salmon Rushdie's "Midnight's Children"

The goal of this paper is to juxtapose and compare two fictional works, Gray’ s Lanark and Rushdie’ s Midnight’ s Children, as works that exploit the same or similar textual strategies – oscillation between realist and fantasy sections – but are construed from a different place of utterance. As it will be shown, this different place of production enables the reading of Lanark as a postmodernist work questioning and playing with the fixed notion of time and space, and the established literary genres, whereas Midnight’ s Children challenges the accepted Western historicity by using the technique of magic realism in the attempt to restore the history of the former British colony.

postmodernism; postcolonialism; magic realism; hybridity

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Podaci o izdanju

47-48

2002.

401-412

objavljeno

0039-3339

Povezanost rada

Filologija

Poveznice