engleski

Space and Sequence: The Topography of "Here"

Richard McGuire’s Here, an “artist book disguised as a graphic novel”, follows a single viewpoint over a multimillenial timespan. Pursuing potential storylines on several apparently incompatible levels (gestural, historical, evolutionary, cosmological), this ostensibly simple concept provides a broad template for exploring non-linear narrative capacities of printed media: it could be examined as a non-anthropocentric visualization of a chronotope (Bakhtin), an SF staging of espacement (Derrida), an exemplary ergodic text (Aarseth), an exercise in tactile multimodality or collage fiction (Gibbons). The common ground of these perspectives is the material framework of a codex: the corner of a room depicted in the majority of Here’s pages structurally limits the potentially endless diversity of content, while also metonymically playing upon its own isomorphic relation to the book as a three-dimensional object. Since this disrupts the temporality of reading and storytelling in a variety of ways, the paper will focus on Here’s ambivalent position regarding the factors of sequence and simultaneity, narrative and spatiality.

writing, spatiality, graphic novel, sequentiality, speculative fiction

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