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Narrative and Representational Strategies of Dystopian Literature and Films (CROSBI ID 713581)

Prilog sa skupa u zborniku | izvorni znanstveni rad | međunarodna recenzija

Sumpor, Svjetlana Narrative and Representational Strategies of Dystopian Literature and Films // Utopian Projects in the History of Culture. (Im)possible Worlds: The Present and the Future in the Mirror of Dystopia (dedicated to the 100th anniversary of Yevgeny Zamyatin's novel We) / T. S. Paniotova (ur.). Taganrog: Southern Federal University Publishing House, Rostov on Don, 2021. str. 51-57

Podaci o odgovornosti

Sumpor, Svjetlana

engleski

Narrative and Representational Strategies of Dystopian Literature and Films

The paper focuses on the comparison of typical narrative and representational strategies of literary and filmic dystopias. By analysing a few paradigmatic dystopian novels and by comparing them with films that were made either as their adaptations or inspired by them, the paper sets out to define the characteristics and strategies which they both have in common, as well as to point out those which are medium specific. In conclusion, the paper aims to establish whether/ or how / the medium specific representational strategies are able to change the meaning of the story narrated.

dystopia, film, novel, transmedia genre, medium specific characteristics

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Podaci o prilogu

51-57.

2021.

objavljeno

Podaci o matičnoj publikaciji

Utopian Projects in the History of Culture. (Im)possible Worlds: The Present and the Future in the Mirror of Dystopia (dedicated to the 100th anniversary of Yevgeny Zamyatin's novel We)

T. S. Paniotova

Taganrog: Southern Federal University Publishing House, Rostov on Don

978-5-9275-3841-6

Podaci o skupu

Nepoznat skup

predavanje

29.02.1904-29.02.2096

Povezanost rada

Filmska umjetnost (filmske, elektroničke i medijske umjetnosti pokretnih slika), Književnost