A qualitative approach to gender differences in cultural taste in Croatia (CROSBI ID 713252)
Neobjavljeno sudjelovanje sa skupa | neobjavljeni prilog sa skupa | međunarodna recenzija
Podaci o odgovornosti
Derado, Augustin ; Ivošević, Darija
engleski
A qualitative approach to gender differences in cultural taste in Croatia
This contribution explores the constructions of gender differences in musical taste and practices connected with music. It is based on the gender theories of creating difference through gender practices as doing masculinity and femininity (West & Zimmerman, 1987 ; Connell and Messerschmidt, 2005 ; Lovell, 2004), and the conceptualization of cultural taste as a social relation (Bourdieu, 1984). It views the construction of symbolic boundaries and ‘boundary maintenance’ (Scwalbe et. al, 2000) as the ‘constant reachievement’ of gender identity, particularly integrated into everyday lives through music (Dibben, 2002). An exploratory qualitative approach utilises thematic and pattern analysis of the 22 semi-structured interviews (sampled for the achievement of initial heterogeneity in age, education and city districts while focusing on young adults) in the city of Split, Croatia. The work explores the construction and ascribing the ideas/labels of ‘feminine’ and ‘masculine’ in music preferences as well as in modes of listening/enjoying music and interactional practices (doing gender differences related to music while in situations of social interaction). It offers the description of gender boundaries in music preferences and practices and discusses the gendered practices of staying within / crossing the boundaries.
Gendered practices, doing masculinity, doing femininity, symbolic boundaries, music, exploratory research
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Podaci o prilogu
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Podaci o skupu
Gender in Transformation Processes: Central and Southeast European Perspectives
predavanje
30.09.2021-02.10.2021
Graz, Austrija