engleski

Music as recording, music in culture, and the study of early recording industry in ethnomusicology: A take on Edison Bell Penkala

The author discusses the position of commercial recordings in ethnomusicology, identifying several groups of studies, as well as disciplinary privileging of live, participatory performances. Taking the record company Edison Bell Penkala (est. in 1926) as a case study, she examines localization as a business principle of the time, the production of musical flow detached from cultural-political canonization, patterns of consumption, and today’s do-it-yourself curation of historical recordings. In doing so, she argues for acknowledging the ubiquity of music as recording, the relevance of the subject for ethnomusicology of the past and present, and specific contributions that ethnomusicologists may bring to overall, inter- and multidisciplinary research.

music as recording ; music in culture ; early recording industry ; ethnomusicology ; Edison Bell Penkala ; Croatia

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