hrvatski

Fedor M. Dostoevskij, Varlam Šalamov, Sergej Lebedev ("Zapisi iz Mrtvoga doma", "Priče s Kolyme", "Granica zaborava")

The paper focuses on three works: Dostoevsky’s The House of the Dead (1860-1862), Shalamov’s Kolyma Tales (1988) and Lebedev’s novel Oblivion (2011), which, owing to their common topic (prison camp) and autobiographical perspective, are usually identified as the so-called prison camp prose (Russ. lagernaja proza, or sometimes tjuremnaja proza). Since all three works are most frequently discussed as documentary, the paper focuses on the literary devices used to achieve this effect. Namely, all three works achieve the documentary effect exactly owing to literariness and/or perceptive and epistemological scepticism. Furthermore, since these works are the product of autobiographical experience, they are analised through the lens of individual memory, which, due to its function, makes these texts aesthetically and ethically innovative.

Dostoevskij, Šalamov, Lebedev, proza o logprima, dokumentarizam, literagnost

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