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Gothic Revival at the Borders of Catholic Christianity: State Politics, Patrons and Architects in 19th Century Croatian Architecture

Neo-Gothic emerged in Croatian architecture rather late in comparison to Great Britain and the majority of countries in mainland Europe. Crucial in spreading the use of the style were the influences from the areas of present-day Germany, Austria, the Czech lands and Hungary. The history of Croatian Neo-Gothic can be divided into three phases. The first, Romantic, phase lasted from the beginning of the 1820s to the end of the 1860s and was marked by naïve approach to the Gothic style. The second phase of the so called High Neo-Gothic, in the 1870s and 1880s, showed a considerably greater tendency for achieving stylistic purity and drawing on High Gothic buildings. Since the early 1890s Neo-Gothic entered its third phase characterized by frequent imitations of Late Gothic, propensity for extravagancy and occasional combination with other styles, mostly the Viennese Secession

Gothic Revival, Historicism, 19th Century Architecture, Herman Bollé, Friedrich von Schmidt, Josip Vancaš, Iso Kršnjavi, Zagreb, Osijek

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