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Pathos and Comfort of the City Against the “Torrents of Progress”: Ignatius Reilly’s New Orleans in John Kennedy Toole’s A Confederacy of Dunces

From the perspective of the trickster-type main character Ignatius Reilly and his engagement with his surroundings and other characters as citizens in a series of picaresque adventures – both in terms of private and public spaces – the city of New Orleans in the novel A Confederacy of Dunces (1980) becomes a space of pathos and comfort, indicative of Ignatius’s paralysis and inability to leave the city caused by his innate paranoia of the doctrine of progress of the modern age. At a point in history when the postcolonial and postindustrial city is trying to rebrand itself as a tourist haven, the chronotope of New Orleans in the mid-twentieth- century novel functions as a place of suspended modernity, offering comfort in the pathos of its entropy, stagnation and nostalgia against the raging torrents of modernity that reign outside its city limits in the rest of the country.

New Orleans ; port city ; A Confederacy of Dunces ; modernity ; progress ; the picaresque ; pathos and comfort of the city ; nostalgia

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