Dubrovnik intermedijalno: Između idile i pogibije (CROSBI ID 69818)
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Podaci o odgovornosti
Erstić, Marijana
hrvatski
Dubrovnik intermedijalno: Između idile i pogibije
Ragusa, now Dubrovnik, is a unique city. The former Republic remained independent for over six centuries (between 1204 and 1808), during the period of dominance of Venice/Austria/Ottoman Empire. Although Shakespeare (1564–1616) wrote about Illyria (Ragusa) in the comedy Twelfth Night (1602, published in 1623), in the German-speaking world, the interest in Ragusa was aroused only in the 19th century. It was during the Napoleon’s rule (1769–1821) that the Republic of Ragusa was abolished by Napoleon’s emissary, Marshal Marmont (1774–1852) in 1808. In 1815, after the fall of Napoleon, at the Congress of Vienna, the Republic was passed to the Habsburg Monarchy and it remained the integral part of the Illyrian Province until the end of the First World War. From the beginning of the 19th century, the increased interest in the former Republic of Ragusa in German-speaking countries was noticed, reflected in literary circles, as well. While in the previous centuries it was described as an idyllic place, for example in Marin Držić’s (1508–1567), William Shakespeare’s or Ivan Gundulić’s (1589– 1638) works, the 19th century authors saw the former Republic as a place of catastrophe. The article focuses on two texts: on the short story Der Findling (1811) by Heinrich von Kleist (1777–1811) and on the drama Marino Caboga (1814) by Achim von Arnim (1781–1831).
Dubrovnik, Ragusa, Heinrich von Kleist, Achim von Arnim, Caspar David Friedrich
nije evidentirano
engleski
Dubrovnik Intermedial: Between the Idyll und the Catastrophe
nije evidentirano
Dubrovnik, Ragusa, Heinrich von Kleist, Achim von Arnim, Caspar David Friedrich
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Podaci o prilogu
483-497.
objavljeno
Podaci o knjizi
Između Srednje Europe i Mediterana: Glazba, knjževnost i izvedbene umjetnosti - Between Central Europe and the Mediterranean: Music, Literature and the Performing Arts
Tomić Ferić, Ivana ; Marić, Antonela
Split: Umjetnička akademija Sveučilišta u Splitu ; Filozofski fakultet Sveučilišta u Splitu
2021.
978-953-6617-54-8