engleski

Artistic mobility of Miro Gavran’s plays

By their literary and theatrical reception, the plays of Miro Gavran surpass the works of all modern Croatian men of letters, especially the playwrights, and are frequently performed in the neighboring countries’ theaters, having commenced their scenic life even prior to 1990. The paper deals with a cultural mobility of Gavran’s plays, explores a reception of première titles, and the characteristics of plays that have been most frequently performed in the neighboring countries.

Miro Gavran ; kultural mobility ; Croatian drama ; contemporary theater

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