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Literary representations of the Enlightenment, national and intercultural model of culture (CROSBI ID 292651)

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Bilić, Anica Literary representations of the Enlightenment, national and intercultural model of culture // Intercultural education, 2021 (2021), 1; 15-27

Podaci o odgovornosti

Bilić, Anica

engleski

Literary representations of the Enlightenment, national and intercultural model of culture

The corpus of three literary texts from the 18th, 19th and 21st centuries was used to represent the Enlightenment and national and intercultural model of culture. Analytical reading established the position of the submissive other and the impossibility of an open, horizontal dialogue of equal cultures. In Matija Antun Relković's satirical narrative and didactic poem Satir iliti divji čovik (Satyr or the wild man), published in Dresden in 1762, Slavonian as a submissive other in the autochthonous culture, for the sake of the Enlightenment project, should transform his identity and transform from a traditional, pre- modern man into a modern one with a Eurocentric point of view and rationalist worldview and become a European. Slavonian is a subaltern subject of expression that speaks from the position of hegemonically conditioned otherness, deprived of the right to speech and the right to differences. By promoting the Eurocentric, Enlightenment model of culture, Relković's Satyr, by exposing numerous flaws and negativities, influenced the creation of stereotypes of profligate Slavonia and proved that Enlightenment knowledge does not remove prejudices and stereotypes, but rather constructs them. The narrative of the submissive other in Josip Kozarac’s realistic short story Tena, published in Zagreb in 1894, testifies to the fact that Slavonia is the focus of European colonial and capitalist interests as a source of natural resources, mainly forest. Slavonia does not participate equally in the national model of culture of the 19th century, but as a weak subject it became economically exploited, morally and socially ruined, politically discredited in the multinational Austrian empire, but nationally integrated under the Croatian name, language and culture. The stereotype of profligate Slavonia, conceived by Relković's poem in the 18th century, and reinforced by the short story Tena, entered the Croatian cultural imaginary. The novel Stol od trešnjevine (The cherry wood table) by a Croatian emigrant, Marica Bodrožić, published in Munich in German in 2012, testifies to the intercultural model and the position of an exile from the former Yugoslavia in a multicultural Europe of the 21st century, who as a between being in a between space transform her identity into a hybrid identity and, between the narrative and the ineffability of the trauma caused by war, displacement, strangeness, and otherness, decides on the narrative of displacement with exile characters. In conclusion, it was found that the literature of expatriate writers with characters of exiles and migrants of hybrid identity constructed in the third space has the potential to strengthen interculturalism as a sustainable model in a world divided into big and powerful and small and weak, but institutional support is needed in education for interculturalism.

colonial discourse, concept of the other, Enlightenment model of culture, intercultural model, national model of culture, postcolonial critique,

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Podaci o izdanju

2021 (1)

2021.

15-27

objavljeno

1467-5986

1469-8439

Povezanost rada

Filologija, Književnost, Kroatologija