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Baroque Music and Popular Culture in the Croatian Lands

This paper offers starting points for a comprehensive insight into “popular musical culture” in the Croatian territory during the Baroque period. After some introductory observations, the first part of the discussion gives a select descriptive bibliography of the musical corpus. The classification follows Saint Bonaventure (thirteenth century), who distinguishes four ways of writing: as scriptor, compilator, commentator and auctor. The closing part of the article provides some preliminary conclusions and suggestions for further research and discussion.

Baroque music, Croatian lands, popular culture, “high” and “low” art

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