engleski

THE DARK CORE OF MIMESIS ART, BODY, AND IMAGE IN THE THOUGHT OF JEAN-LUC NANCY

The thesis we argue in the text through three separate planes of discussion is that mimesis (mu iota mu eta sigma iota sigma) cannot for Nancy be reduced to mere imitation of an already always existing reality. Instead, what is at issue is a creative principle of the openness of the world as meaning starting from the possibility of imitating something that can only be presented-represented in the equation between the logos, the figure, and the image. Mimesis thus presents-represents an existential event of novelty in the world. In order to think this "crack" between philosophy and art (logos and mimesis) it is necessary to make a decisive break with the "oblivion of the body" symptomatic of the entire history of Western philosophy.

Nancy, mimesis, art, body, image, event, ontology

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