hrvatski

"Ispisati istinu umjesto povijesti"* (otpor ideološkom u izboru hrvatskih drama iz druge polovice XX. st.)

In this paper the authoress refers to examples from the period between the 60s and the beginning of the 90s of the 20th century in Croatia which best illustrate not only the playwriting but also the lethalness of the act through mostly political drama typical of the period in question. At the time, the theatre was often not "the only space in which people were allowed to think and talk politically" (B. Senker). The paper discusses the following dramas: Perković's Closed Afternoon (1966), Šoljan's Diocletian's Palace (1969), Kušan's The End of Freedom (1971), Marović's Antigona, the Queen of Thebes, and the Themistocles (both from the earl 1980s), and Brešan's Julius Caesar (1994 ; publ. 1997). Dramatic literature and the theatre of these decades did not only reflect the happenings in Croatia within the former Yugoslav state (Socialist Federal Republic of Yugoslavia) ; many of the above and other authors paid for their courage to write these texts with being passed over in silence, and with intellectual, political and existential harassment.

drama ; tipologija tekstova, ; Hrvatska ; SFR Jugoslavija ; 2. polovica 20. st. ; ideologija ; politika ; egzistencijalno kažnjavanje autora

TEMA OVOGA BROJA "Poznanskie studia Slawistyczne", (nr/6 2014 ; ed. Joanna Brodniewicz et al.): Dysydenci, kontestatorzy, kultura oporu i wspolczesnosc) NOTE: "Writing the Truth Instead of History" ("Ispisati istinu umjesto povijesti") is a paraphrasis of a verse of Tonči Petrasov Marović, Croatian poet (1934-1991).