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Le cappelle musicali in Split (Spalato) and Dubrovnik (Ragusa) in the 18th Century - Repertories, Cultural Missions, and Social Importance

In earlier periods the musical performing practice in Croatia seems to have been most interesting in Split and Dubrovnik in the 18th century. Two different performing bodies have been identified there: the Cathedral Cappella in Split, and the Duke's Band in Dubrovnik, with different profiles, repertories and functions. The Split repertory consists prevalently of compositions written by local composers, and mostly of church music. In the Dubrovnik repertory prevails secular music, mostly composed by foreign composers. Concerning cultural missions, the Split Cathedral Cappella primarily fullfilled Church needs, and only secondarily met the City's music demands. The Dubrovnik Duke's Band primarily served for the representation of the State, and finally for the needs of the Church.

musical chapels; Dalmatia; Split; Dubrovnik; repertories; 18th century

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