Nalazite se na CroRIS probnoj okolini. Ovdje evidentirani podaci neće biti pohranjeni u Informacijskom sustavu znanosti RH. Ako je ovo greška, CroRIS produkcijskoj okolini moguće je pristupi putem poveznice www.croris.hr
izvor podataka: crosbi !

Sacred in Modern Abstract Art (CROSBI ID 274387)

Prilog u časopisu | izvorni znanstveni rad | međunarodna recenzija

Elezović, Nadežda Sacred in Modern Abstract Art // Ikon, 11 (2018), 153-162

Podaci o odgovornosti

Elezović, Nadežda

engleski

Sacred in Modern Abstract Art

Abstract painting of the early 20th century was based on creation of new structural art forms represented in non-mimetic, non-demonstrative, uniconic painting. However, regardless of the fact that avant-garde art of the early 20th century with its artistic processes and theoretical postulates advocated autonomy of art, some modern abstract artist did not abandon the fields of spirituality, religion and spirituality. Based on studies of heterodox religious movements of mid and late 19th century, mainly the Theosophy of Helena Petrovna Blavatsky and Annie Besant, and Anthroposophy of Rudolph Steiner, as starting points for creation of abstract painting of the early 20th century, Wassily Kandinsky creates organic abstraction, Piet Mondrian develops geometric abstraction - Neo-Plasticism, Kazimir Malevich establishes the most radical form of modern abstract painting - Suprematism. This paper deals with original self-reflective essays and theories of Art of Kandinsky, Mondrian and Malevich, which serve as theories of abstract art (theories of Lyrical abstraction, Neo-Plasticism and Suprematism), and based on theories of these artists, aims to explore the influence of Theosophy and Anthroposophy on development of Kandinsky’s Lyrical abstraction, Mondrian’s Neo-Plasticism and Malevich’s Suprematism.

Wassily Kandinsky, Piet Mondrian, Kazimir Malevich, abstract art, modern abstract painting, Lyrical abstraction, Neo-Plasticism, Suprematism, Theosophy, Anthroposophy

nije evidentirano

nije evidentirano

nije evidentirano

nije evidentirano

nije evidentirano

nije evidentirano

Podaci o izdanju

11

2018.

153-162

objavljeno

1846-8551

2507-041X

Povezanost rada

Povijest umjetnosti

Indeksiranost