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izvor podataka: crosbi

Varalica uzvraća pogled: rekonceptualizacija drugog u djelima suvremenog indijanskog umjetnika Jamesa Lune (CROSBI ID 272324)

Prilog u časopisu | izvorni znanstveni rad | međunarodna recenzija

Runtić, Sanja ; Poljak Rehlicki, Jasna Varalica uzvraća pogled: rekonceptualizacija drugog u djelima suvremenog indijanskog umjetnika Jamesa Lune // Ars (Cetinje), 5 (2019), 5, 16

Podaci o odgovornosti

Runtić, Sanja ; Poljak Rehlicki, Jasna

hrvatski

Varalica uzvraća pogled: rekonceptualizacija drugog u djelima suvremenog indijanskog umjetnika Jamesa Lune

The paper analyzes the use of humor in the work of Luiseño artist James Luna. Utilizing the media of performance, photography and installation, using himself as the object of representation, Luna has created a recognizable artistic style that addresses the complex issues of American Indian identity and representation. His installations The End of the Frail (1990-91) and The Artifact Piece (1987, 1990) both point at the constructed nature of Native identity. Whereas the former employs satire, self-stereotyping, parody and humor to expose and confront the colonial myths, distorted attitudes and pictographic representations of Native Americans, the latter addresses the issues of Native absence and invisibility in the dominant culture. Representing himself as an artifact to provoke laughter, shock and discomfort, in The Artifact Piece Luna clearly disclosed the relationship between Western institutions of knowledge and the culture of the spectacle. Both installations draw attention to the tie between imperialism and material forms of production and representation, indicating the still ongoing institutional investment in Native allegorization through commodification and scientific practices, the fact that even today Native American identity is compromised by the colonial discourse and its disciplinary practices and imagination. Using Bhabha's concepts of mimicry and hybridity, Bakhtin's theory of humor and Vizenor's trickster holotrope, our analysis discusses the subversive potential of Luna's auto-ethnographic project, its potential to deconstruct the meta-narratives of Otherness and colonization, and create new spaces for social dialogue and cultural survival.

James Luna, mimikrija, Bahtin, humor, Vizenor, varalica, dekolonizacija

nije evidentirano

engleski

The Trickster Returns the Gaze: Reconceptualizing the Other in the Work of Contemporary Native American Artist James Luna

nije evidentirano

James Luna, mimicry, Bakhtin, humor, Vizenor, trickster, decolonization

nije evidentirano

Podaci o izdanju

5

2019.

5

16

objavljeno

0352-6739

Povezanost rada

Filologija, Interdisciplinarne humanističke znanosti, Interdisciplinarno umjetničko polje, Primijenjena umjetnost