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The visual interface of “comprehensive design”


Kostešić, Iva; Vukić, Feđa
The visual interface of “comprehensive design” // InfoDesign - Revista Brasileira de Design da Informação, 16 (2019), 2; 157-168 (međunarodna recenzija, članak, znanstveni)


Naslov
The visual interface of “comprehensive design”

Autori
Kostešić, Iva ; Vukić, Feđa

Izvornik
InfoDesign - Revista Brasileira de Design da Informação (1808-5377) 16 (2019), 2; 157-168

Vrsta, podvrsta i kategorija rada
Radovi u časopisima, članak, znanstveni

Ključne riječi
Design history ; visual communication design ; data visualization

Sažetak
The purpose of this article is to gather and analyse the visual appearance and interface of “comprehensive design” within different historic, social and cultural contexts. As elaborated by R. B. Fuller in 1949, the “comprehensive designer” is "an emerging synthesis of artist, inventor, mechanic, objective economist and evolutionary strategist", who is to synthesize the knowledge produced by various fields of science and tries to bring balance to the world. The notion of comprehensive design can be seen as a way of designing in regards to and across both small and large scale design activities that perceive the world as an interconnected system. As to answer how this notion was visualized, the article will analyse the interfaces of “comprehensive design” including May’s New Frankfurt, Fuller’s “World Game”, Bonsiepe’s Cybersyn project and Archigram’s projects which seem to have high relevance in the contemporary efforts in designing a new type of sustainable city.

Izvorni jezik
Engleski

Znanstvena područja
Znanost o umjetnosti



POVEZANOST RADA


Ustanove
Arhitektonski fakultet, Zagreb

Uključenost u ostale bibliografske baze podataka:


  • Qualis CAPES / Sucupira (Brazilian Ministry of Education) (Arquitetura e Urbanismo)
  • Directory of Open Access Journals (DOAJ)
  • EBSCO (Fonte Academica)
  • Latindex
  • Livre!
  • Sumários.org
  • Gale (Academic OneFile and Informe Académico)